I have already published my reading and entertainment goals for 2018, in which I mentioned that I aim to watch 20 plays this year. And what a better way to start the year than with an Oscar Wilde play.
I would like to start my review by saying thank you to Playwrights Canada Press for giving me an opportunity to not only read the play but also attend the launch party and the performance at Buddies in Bad Times theatre.
My review might contain some spoilers.
Being as smitten as I am with theatre, I almost never get to see Broadway productions. Most of the plays that are screened at Cineplex are by National Theatre or Royal Shakespeare Company. One in a while, though, we get rare gems, like The Crucible, and this time – Cyrano de Bergerac.
It was the first time I got to see this play on stage and was fairly entertained by it. Cyrano de Bergerac was written in 1897 by Edmond Rostand, and there are two most famous English translations – by Brian Hooker and by Anthony Burgess. This production used the text translated by Anthony Burgess. The play was on stage briefly in 2007, then revived and filmed in 2008.
I am so used to going to special events and broadcasts at Cineplex on Thursdays, that I almost completely missed a broadcast of “Falsettos” on Wednesday, July 12 (yes, I am a bit behind on reviews – thanks for noticing 😅).
“Falsettos” was one of those classic ‘know nothing about but it sounds gay, so I am going to watch it’ moments for me. I got a ticket almost last minute – which for me means a day or two ahead – and spent a lovely evening laughing my heart out.
This is going to be the review of both the text of “The Crucible” by Arthur Miller and the Old Vic production of 2014, which was shown in Cineplex on July 2, 2017.
Day 4 of photo challenge: “Create a peaceful image in a cafe or restaurant”. Of course, it had to be Starbucks. Midday break to read ‘Yerma’ before I watch it today at NT Live.
For most people, who visit Vienna, Wiener Staatsoper (Vienna State Opera) is the first attraction that they are introduced to. It is a prominent landmark, from which the most sightseeing tours around the city start and end. I have met with people numerous times around Opera. I have had an Apfelstrudel in Opera Cafe. I have used Opera as a starting point of my walks in the city, and this is where I always come back.
So far, this year has been absolutely great on all National Theatre Live broadcasts. There were a lot of plays that I loved and would happily watch more than once. I know that I am a bit behind on reviews here, but since I found information about upcoming broadcasts at Cineplex website, I just had to share!
Edward Albee’s award winning play “Who is Afraid of Virginia Woolf?” was produced by Sonia Friedman Productions and broadcasted by NT Live. You might have already heard of Sonia Friedman Productions as they also produced Hamlet with Benedict Cumberbatch at The Barbican in 2015 (that was broadcasted by NTLive), Much Ado About Nothing, King Charles III (with David Tennant, Catherine Tate) – to name a few. They plan to bring Harry Potter and The Cursed Child on Broadway on 2018 too. And this year they are producing Hamlet with Andrew Scott (also on stage of Harold Pinter Theatre), and I am keeping all of my fingers crossed that NTLive would pick it up too. Because there is no such thing as too much Hamlet.
I was provided a copy of this anthology by Playwrights Canada Press in exchange of a free and honest review.
“Long Story Short” is an anthology of short plays by Canadian playwrights of diverse backgrounds. The introduction by Rebecca Burton gives insight into how she picked the plays and on the background of the authors. Selected plays are intended to appeal to a variety of readers and variety of tastes as they range in genres from satire and comedy to absurdist and dystopian and encompass an array of topics from coming of age, love, relationships, race, gender norms, and death. Every read is bound to find something to their taste.