I came across “All Out: The No-Longer-Secret Stories of Queer Teens Throughout the Ages” - which I will be calling “All Out” in my review for the sake of simplicity - at the beginning of this year. It is a collection of short stories by an ensemble of young adult authors. All of the stories have queer teen characters, as it is evident in the title, and the stories themselves vary in genres and settings.
Cassidy Blake's parents are The Inspectres, a (somewhat inept) ghost-hunting team. But Cass herself can REALLY see ghosts. In fact, her best friend, Jacob, just happens to be one.
I heard of “Seafire” months ago, and the plot of a new Young Adult fantasy book with all female pirates appealed to me greatly. I was dying to get my hands on it early and jumped on the opportunity to ask the publisher for the ARC. (Meaning, I begged. More than once.) I was so excited to receive it in the mail from Penguin Random House Canada and immediately put it on my ARC August TBR.
A month ago I was approached to do a review of a new planner line created by Workman Publishing and Pipsticks. I was given an option to choose one of three themed packages, and my choice was “for the Dreamer…”. This set was quoted to be perfect for the creative spirit.
I was intrigued. I love stationery and planners. I am proud to admit that at any given time I use at least two, sometimes three, planners. I have also tried different planner systems: Happy Planner, Filofax, Erin Condren, Bullet Journal, etc. I was excited to try out something new, especially since I was promised tons of stickers. And anyone who knows me knows that I collect stickers like there is no tomorrow.
I did an unboxing video on my YouTube channel, in which I open the package and I give my first impressions of Pipsticks+Workman planner. In the package that was sent to me, I received a planner, a notekeeper, and a sticker book.
*Please note that all photos in the review were edited and the colours you see might be slightly different from a real-life product. However, the pen test photos were left as.
Review
My first impression was relatively positive: everything was bright and cute. The sticker book does have a lot of stickers. Moreso, stickers can also be found in the planner (it has sheets with seasonal stickers) and even the notebook (which is called the notekeeper).
However, once I started using them, I found out that some of those stickers are very thin, can’t be repositioned without ripping paper - but some can be, you only have to be very careful - and many are very similar. Indeed, the set has over 800 stickers, but many of them are repetitive. For example, there are 3 sheets with different food stickers, but not enough word stickers for events.
There is, however, a whole community of Pipsticks stickers lovers on Instagram and there is a subscription to Pipsticks Printables Library, where you can get lots of lists, meal planners, goal trackers, and more. I did not explore this option at the time of the review, but it is something to keep in mind for those who are into printables!
I like the notebook. It is called “a creativity pad for dreamers”, and it has 2 pages with stickers, but other pages are just notepaper with lots of different designs. I think it will be cool to use those pages for writing letters and notes to people.
The Pipsticks+Workman planner itself is bright and colourful. It has a sturdy cover, but the coil is not very flexible, and the cover gets stuck a bit at times. The planner opens up with a small pocket.
There are a card and sticky tab notes/flags inside. Then there are 6 pages of seasonal stickers, the calendar view for 2019 and 2020 (which makes my crazy planner soul very happy), the list of all holidays (including Canadian ones, yay!), the goals tab, and then 17 months of monthly and weekly spreads, and at the very end - a couple of notes pages. There is also a pocket at the back.
The planner has 2 elastics: one, the gold one, to keep the planner closed and the other, the pink one, to mark the page. I have never had a planner like that with an elastic as a bookmark.
I found the layout of weekly spreads a bit confusing. It is horizontal, but each day is also split into 3 vertical boxes. I initially thought that they are supposed to divide the day into morning/afternoon/evening, like in an Erin Condren vertical planner, but one box per day has “YAY” written in it, which I found a bit random. Not sure what I am supposed to write in there. Plus, as you can see in my pictures, some of the stickers did not fit the boxes, so I am not sure why the days were split into 3 sections anyway.
There is also a quiz question on each spread. I find that cute. The bottom of the page, though, has a wide strip with days of the week and stars on the side. It seems like it is supposed to be a space for a weekly to-do list, but I found it awkward to use.
I like monthly spreads way more. The spreads are clean, simple, and the boxes for each day are big enough for my handwriting. Each month has a little creative challenge in the corner, which I am not really liking for some reason, but some might find interesting.
My biggest concern, once I unboxed the Pipsticks+Workman planner, was the paper. It felt really thin, and I worried that it wouldn’t hold against my pens. I used one of the note pages to do a pen test. And I was a bit surprised by the result.
You can see in the pictures that even though there is a bit of bleed through (especially, with the Tombow calligraphy pen and alcohol based markers), but not so much with other pens. You can see the ink and outline still, but that is because I tend to press on paper really hard.
Overall, I liked the idea behind the Pipsticks+Workman Planner. My biggest problem is with weekly spreads, however, as I struggle to figure out how to use those 3 sections. I do not always use morning/afternoon/evening to plan my day. The stickers are adorable and good quality, but I have seen similar stickers at Michaels stores, so the designs aren’t very original.
If I had to give the rating to the planner, I would say it is somewhere around 3.5 stars out of 5. I liked it, but some things are not well suitable for me as a planner. Since it is a 17-month planner, I will try to use it till the end of 2018 to see if I will get used to it or if I will have to get another planner for 2019.
Rating: 3.5
Thank you so much to the publisher for providing me with a free copy of the planner for review.
If you read my review of “Caraval” last year, you probably can guess that I had a lot of reservations about “Legendary”. I felt let down by “Caraval” so much that I even considered not picking up the sequel. But since I am a glutton for punishment, I did request a physical copy of “Legendary” from the library. I must say, Stephanie Garber’s books have stunning covers, both US and UK editions.
I thought that I could get through “Legendary” but quickly realized that I didn’t care much to read the physical copy and got myself an audiobook instead.
Synopsis
A heart to protect. A debt to repay. A game to win.
After being swept up in the magical world of Caraval, Donatella Dragna has finally escaped her father and saved her sister Scarlett from a disastrous arranged marriage. The girls should be celebrating, but Tella isn’t yet free. She made a desperate bargain with a mysterious criminal, and what Tella owes him no one has ever been able to deliver: Caraval Master Legend’s true name.
The only chance of uncovering Legend’s identity is to win Caraval, so Tella throws herself into the legendary competition once more—and into the path of the murderous heir to the throne, a doomed love story, and a web of secrets…including her sister's. Caraval has always demanded bravery, cunning, and sacrifice. But now the game is asking for more. If Tella can’t fulfill her bargain and deliver Legend’s name, she’ll lose everything she cares about—maybe even her life. But if she wins, Legend and Caraval will be destroyed forever.
Welcome, welcome to Caraval...the games have only just begun.
Review
Whatever I said about the writing and plot holes in “Caraval”, sadly, still applies for “Legendary”. The characters seem to be two-dimensional, flat, their traits exaggerated beyond measure. The writing only follows the same route: the book is full of beautiful but completely useless in their abundance similes and metaphors like, “and her dress was made out of blue silk and midnight stars” (not an exact quote, but you get the meaning). It would have felt more magical and profound if not for the complete lack of world building and character development. Using pretty words won’t help the lack of plot.
“Caraval” was told from Scarlet's point of view. Her main objective in the first book was to find her missing sister Donatella. She does find her, but the ending has a twist that left a sour taste in my mouth. I felt that Donatella had betrayed her sister, and there was nothing that could redeem her in my eyes, even though Scarlet, naturally, forgives her sister. (I had a problem with it also because Scarlet should have had PTSD after everything that happened, but her feelings and mental state after events in “Caraval” were not addressed.)
Donatella was portrayed as spoiled, uncontrollable, impulsive, and greedy. Yes, Scarlet still loved her and forgave her, but that was how Donatella was depicted in the book. And I hated her.
In “Legendary” though, Donatella is portrayed as impulsive, yes, but also very determined to save and protect her sister in any way possible. Her character voice in the second book changed so much that I couldn’t believe my eyes. Donatella is fierce and unbending but also very gullible, which really goes against her character who reminds us again and again that “she does not kiss the same boys twice”. I found that annoying as her character seemed to be inconsistent with what she was in the first book - at least, this is how it felt to me.
Throughout “Legendary”, Donatella is being almost thrown at one of the villains of the story by the author. She constantly says that she should not trust him and that she is disgusted by what he did, etc., but she is still attracted to him. I found that too unrealistic, as that character went beyond the mere trope of “a bad boy”. He was written as a real villain, who would even force himself on Donatella (there were at least one or two kisses that she did not consent for), and somehow she also found that exciting. I think that Stephanie Garber was trying very hard to create some sort of a love triangle, but it felt forced and unattractive to me.
The author tried to include some red herrings in the narrative, but it was done in such a blunt way that it was just ridiculous. For almost two-thirds of the book, Donatella kept saying that she couldn't believe that THIS could be true. And lo and behold, it turns out to be true. What a twist!
The only thing that “Legendary” made me happy about was Dante. I love his character, and we get to see more of him in this book, which was exciting. My favourite moment in the book was: “And, oh glory, he was shirtless. So very shirtless.”
(I keep hoping to see at least some LGBTQ+ representation in Caraval trilogy, but alas. My headcanon is that Dante is bisexual or polysexual - that would have been very cool.)
Scarlet was barely present in the book, and the way Donatella sees her is also skewed, in my opinion, from what she truly is as a character. At some point, Donatella even starts to doubt her sister. And, once again, big surprise - she shouldn’t have!
I think that overall Stephanie’s writing did improve from book one. “Legendary” is heavy on romance and not so heavy on fantasy and magic, which is a big let down once again. I love Rebecca’s narration - it was the only thing to keep me from giving up on his book. I will most probably pick up the last book in the trilogy in audio as well. I have no idea where the plot would go in book 3, as there is barely any plot, to begin with. I guess we need to get our happy ending for everyone so there will be more romance. Oh boy.
I requested “The Saturday Night Ghost Club” for review from Penguin Random House Canada. I never read anything by this author, and I was interested in exploring more of Canadian literature.
Synopsis
When neurosurgeon Jake Breaker operates, he knows he's handling more than a patient's delicate brain tissue--he's altering their seat of consciousness, their golden vault of memory. And memory, Jake knows well, can be a tricky thing.
When growing up in 1980s Niagara Falls, a.k.a. Cataract City--a seedy but magical, slightly haunted place--one of Jake's closest confidantes was his uncle Calvin, a sweet but eccentric misfit enamored of occult artefacts and outlandish conspiracy theories. The summer Jake turned twelve, Calvin invited him to join the "Saturday Night Ghost Club"--a seemingly light-hearted project to investigate some of Cataract City's more macabre urban myths. Over the course of that life-altering summer, Jake not only fell in love and began to imagine his future, he slowly, painfully came to realize that his uncle's preoccupation with chilling legends sprang from something buried so deep in his past that Calvin himself was unaware of it.
Review
I rarely pick up books the moment I receive them, but something about “The Saturday Night Ghost Club” pulled me to it. I went into the book almost blind, knowing only that it was set in the 80s, in Niagara Falls Ontario, and that the author was Canadian.
I remember reading the first page of “The Saturday Night Ghost Club”, and then another one, and another one. Twenty pages into the book and I already knew that I was going to love it. Fifty pages in - I knew that I was going to give this book a high rating. Halfway into the book - I was requesting more books by Craig Davidson from the library.
“The Saturday Night Ghost Club” is a literary novel, but it blends scientific facts with memoir like reminiscences of the main protagonist’s, Jake, in such an effortless way, that at times, I had to remind myself that there is no real neurosurgeon by the name of Jake Breaker working at St. Michael’s Hospital, right across the street from me.
Craig Davidson’s writing feels effortless, lightweight, even when he talks about haunting memories, prescription pills, and brain tumours. “The Saturday Night Ghost Club”, however, is not all about science. It is, in fact, a heartfelt and nostalgic recounter of childhood memories. Jake, the neurosurgeon, exists in the periphery of the book, popping in only to make a reference to something that would make sense only at the very end of the book. Most of the time, it is Jake, the twelve-year-old boy, who is the main protagonist of the story.
Even though I love literary fiction, I often struggle with contemporary or historical fiction, when I feel that I have no connection with places or events. With “The Saturday Night Ghost Club” I had no problems fully emerging myself into the story. Every location and every memory felt tangible, covered in cobwebs and dust, but still vivid.
I loved everything about the story and the plot. I did, however, guess where it was heading when I was about one third into the book, but it did not diminish the pleasure of reading it. There is something to be said about small towns that manage to both to make you nostalgic and send a chill down your spine. There were, definitely, moments in “The Saturday Night Ghost Club” when I felt disturbed by the turn of events, but mostly it was a rather fun read.
I can’t say whom I liked more in “The Saturday Night Ghost Club”. I loved Jack; I liked his friend Billy, his sister Dove; I liked his uncle Cal. I even liked that video store owner Lex. I did not like him at first, but later he grew on me. There are a lot of relationships in this book that seem easy at the first glimpse, but as the plot develops, you learn that everyone carries secrets, sometimes not even their own.
The ending of “The Saturday Night Ghost Club” was exactly like I expected it to be: heartfelt, bittersweet, and very real. I wish it could have been less real so that I could pretend that it is a happy ending. In a way, it was a happy ending. But at the same time, it was not. What made it so heartbreaking for me was not even what actually happened, but how everyone came together to deal with it.
I can’t recommend this book highly enough. “The Saturday Night Ghost Club” is a masterfully crafted novel with enough twists and thrown in scientific facts about brains to keep you on your toes till the very last page. I can not wait to read more works by Craig Davidson. “The Saturday Night Ghost Club” is going to be one of my favourite reads of 2018.
A book blogger friend at Read.Sleep.Repeat is hosting an annual ARC August challenge, and I decided to participate! This means that in the month of August I have to try and read as many ARCs as I can. It is a great way to tackle some of those books that have been sitting on my shelf.
There will be a readathon on August 4-5, which I doubt I would be able to participate in since I will be in NYC, but I will try. There is also going to be a bookish bingo, that I am very excited about! And the best part - you can potentially win some bookish prizes!! ?
Use hashtag #ARCAugust on social media to track your progress and see how others are doing. (You can follow me @foxcloudsblog on Twitter and Instagram.)
Now, onto my ARC August TBR.
My main goal is to read a bunch of eARCs that I have sitting on my Kindle - and I have a lot of them. Some of them have been waiting to be read for months. (It is making me rather anxious.) But of course, I have physical ARCs on my TBR too.
My top priorities are "City of Ghosts" by Victoria Schwab, "The Dark Descent of Elizabeth Frankenstein" by Kiersten White, and "Seafire" by Natalie C. Parker. The rest I will read if I have time. (I hope I will as I am very excited about all of these!)
*"The Unbinding of Mary Reade" is actually not an ARC. This is the final copy from the library, but I was sent an eARC of this book, I just didn't read it on time in June. ?
Aren't they all wonderful books? ?? Can't wait to start ARC August!
I will have an ARC August TBR video on my channel next week.
This year has been rather generous on new young adult fantasy series. One of the early 2018 debut novels is Everless by Sara Holland. I saw this book pop up a lot on BookTube, which, naturally, attracted me to it. Everless came out in January, but I only finished it in summer, even though it was readily available at my library.
Synopsis
In the kingdom of Sempera, time is currency—extracted from blood, bound to iron, and consumed to add time to one’s own lifespan. The rich aristocracy, like the Gerlings, tax the poor to the hilt, extending their own lives by centuries.
No one resents the Gerlings more than Jules Ember. A decade ago, she and her father were servants at Everless, the Gerlings’ palatial estate, until a fateful accident forced them to flee in the dead of night. When Jules discovers that her father is dying, she knows that she must return to Everless to earn more time for him before she loses him forever.
But going back to Everless brings more danger—and temptation—than Jules could have ever imagined. Soon she’s caught in a tangle of violent secrets and finds her heart torn between two people she thought she’d never see again. Her decisions have the power to change her fate—and the fate of time itself.
Review
I read the first hundred pages or so of Everless almost in one go and then got stuck. The beginning was engaging and well written, however very quickly the book fell into the pit of tropes and cliches.
We have a female protagonist, Jules, who is repeatedly told not to go to the Gerlings’ estate by her father, but, naturally, it is the only way to help her father, and Jules goes against his wishes. Of course, there is more to the story: half-forgotten memories and old friendships. There is a crush that happens unexpectedly for Jules - but can be seen a mile away by the reader. There is an obvious love triangle, which includes a naive but well-wishing girl, a good boy, and an archetypical bad boy.
For some reason, the very beginning of Everless reminded me Red Queen by Victoria Aveyard. Perhaps, it was the idea of a girl with unknown powers going to the very place she should avoid at all costs and working as a servant. Even a love triangle was similar. But, naturally, the plot was different.
You can imagine that with that type of a setting, I was rolling my eyes a lot. But I have little patience for cliches. I must say, however, that for a debut novel Sara Holland did an excellent job with creating the world and her writing style is light enough that the book flows well. It is an easy read which helped me finish it eventually.
The magic system of this world, which is connected directly to the society and economic structure, is what makes Everless stand out from other young adult fantasy novels. I liked the idea of blood being tied directly to years of life that could be turned into a coin and used to pay for things. It is a fascinating concept. Unfortunately, everything else in Everless was cliched.
I guess about the betrayal long before it happened. I knew who would turn out to be a villain. I did enjoy the experience of reading this book, though, so I plan on continuing with the series. My favourite part was when Jules explored an abandoned town and the scene with the Queen.
I think that overall for me Everless was more about the world building than characters or plot. I want to see more of that world developed and explored. I feel that the author has the potential of making this story much better. Everless may not be the book I would want to own, but I am looking forward to the sequel.
This review might contain spoilers as it is book 2 in the duology.
I listened to the first book in the series, The Scorpion Rules, in audio and intended to pick up The Swan Riders in audio format too. The first book dragged a lot in the beginning, and I briefly considered reading the sequel in paper as I felt I could skip over boring parts. I checked out The Swan Riders from the library. I tried reading it but it was even less exciting, so I switched back to an audiobook.
I had a lot of reservations before starting The Swan Riders, but I wanted to finish the story, so I persevered.