Play Review: Obsession - National Theatre Live

 

I went to see the broadcast of "Obsession" play on May 11. It was broadcast live from the Barbican Theatre in London and was only about an hour and a half long with no intermission. The play is a new stage adaptation of Luchino Visconti’s 1943 film. I have never watched the movie, but I was attracted to this play because of two things: one, the main protagonist Gino is played by Jude Law, whom I had never seen on stage; and two, the play was produced by Ivo van Hove, whose in Hedda Gabler I really enjoyed (he also produced A View From The Bridge).

The movie “Obsession” that this play is based on, was quoted to be the first neorealist movie and an unofficial adaptation of the novel The Postman Always Rings Twice (the book that I have heard of but never read).

 

The play was introduced by a short video clip of the rehearsals and interviews with Ivo van Hove and Jude Law.

 

Here is the synopsis of the play from NT Live:

 

Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Giuseppe and Giovanna. Irresistibly attracted to each other, Gino and Giovanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.

 

No matter, how much it hurts me to admit it, but I was extremely bored throughout the play. The stage decorations and props are so few and minimalistic that it leaves most to the imagination of the audience to decide when the characters are eating, sleeping or how much time has passed. I understand that it comes from the premise and the background of the story: Giuseppe and Giovanna are poor - their restaurant is void of customers when Gino stumbles in. Gino himself barely has enough money for one meal and definitely not enough things to call his own. Even though the attraction between Gino and Giovanna is portrayed interestingly through movements and glances, their love story is nothing new. The whole plot felt trite and predictable, and I was grateful that I didn’t have to suffer through more than one act of it.

 

Jude Law is great as Gino, both alluring and wild, but Giovanna was barely anything at all as a character, and it is sad. The most exciting part of the play was how van Hove decided to portray murder and blood. Instead of an actual car, there was a car engine hanging a bit over the stage. It revved and smoked and produced black oil-like substance that covered the characters on stage as they grappled and twisted in fight. That black slime represented the blood and crime, and that was probably the most unique setup that I have ever seen. Definitely an ingenuous idea on Ivo van Hove's part.

 

But otherwise it was so uninspiring - I found the behind the scenes footage more interesting to watch than the actual play - that I couldn't help glancing at my watch, and it never happens! Slightly disappointed, but otherwise content, if not happy, to have seen both Jude Law’s and Ivo van Hove’s work on stage. Can’t say it is something I would recommend, unless you are a fan of either or the movie.

 

Personal rating: 3 stars

 

Sources:

 

SHERLOCKED 2017 IN LOS ANGELES

I have been a fan of Sherlock since late 2010. I watched first season in my hotel room in Granada, Spain. I was immediately captivated by the show (and Benedict’s Sherlock, let’s be honest here) and was crushed that there was only three episodes in the season.

Years later I am still a fan, even though the show is pretty much over. And I am going to the very first (and hopefully not last) official Sherlock Convention in North America. I had been waiting for them to do it in my part of the world for a while and once I learned that it would actually happen - I was beyond happy! I purchased my ticket the day it went on say - back in November 2016. Over 6 months ago! Crazy, I know!

I will try to blog/vlog and post on Instagram (@foxcloudsblog) during the convention. Hopefully, will take lots of pictures and will write my experience of the event afterwards (early June). It is going to be a massive event that stretches over 2.5 days, so I expect a lot of fun stuff planned.

I don’t have a particular schedule. I know that I will be going to all night parties (Friday - Sunday) and that I have one photoshoot scheduled on Friday (221B Baker Street set photo), but otherwise I am quite open. My primary objective is to go to many panels that delve into behind the scenes and filming process as it is what I am most interested in. The schedule is enormous and there are a lot of things to do!

I am not going to any of drinks receptions as those got sold out before I even realized that we needed to purchase tickets for them (considering the price of the entrance ticket, it was just too much). But I am happy that I will be going to all three night parties! Each party would have an individual theme (see in the schedule below) but I don’t think you need to specifically dress up for it. Unless you want to, of course.

So, I am going to provide below the information for the ticket that I personally purchased and the whole schedule for the convention (taken from the official website) with those events that I am most interested personally. It is for reference only, mostly for myself, so I can go back and match it with what I actually ended up doing.

Let me know if any of you is going and keep an eye on my Instagram @foxcloudsblog for Stories/Vlogs!

Cheers!

 

Official website: http://www.sherlockedusa.com/

 

DETAILS:

 

Venue

Los Angeles Airport Marriott

5855 West Century Boulevard

Los Angeles

California

90045 USA

 

Dates

Friday 26th May, Saturday 27th May & Sunday 28th May 2017

Opening Times

Friday: Registration from 2pm. Event open 5pm - 8pm - Party till late.

Saturday: 9am to 6pm (Registration open from 8am) - Party till late.

Sunday: 9am to 6pm - Party till late.

MY TICKET INFO:

 

SILVER TICKET DIOGENES CLUB

 

Entry for Friday, Saturday and Sunday

All Talks in main hall

Unreserved seat in main hall (sides/back)

Silver Priority in Queues for Autos & Photos

1 x Friday Night Party Ticket

1 x Saturday Night Party Ticket

1 x Sunday Night Party Ticket

Exclusive Sherlocked USA Button and Lanyard

 

BAKER STREET / DIOGENES CLUB - The Tracks

 

During the weekend visitors will be sorted by two groups – the Baker Street Track and the Diogenes Club Track, this is to enable everybody the chance to attend the talks.

When you purchase your ticket you will have two options for each ticket type – you chose at purchase if you want to be in the Baker Street Track or the Diogenes Club Track by selecting the ticket type with that name associated with it – ie: if you have decided to buy the silver ticket, you chose either Silver Baker Street or Silver Diogenes Club.

 

This is purely to manage numbers sitting down for each talk in the halls – there is no additional benefits to choosing one over the other, visitors will receive the same access and items associated with the ticket type regardless of the track you choose – the only thing to consider is if you are going with friends you may wish to choose the same track ticket so you can sit in the same talks.

 

 

OFFICIAL EVENT SCHEDULE (as of May 24)

 

 

Friday Schedule

Registration Open: 1400 - 2000

 

Workshop Area

1700 - 1900    Ribbon Swap

Join us for a social meet up once you have arrived for a chance to start collecting and swapping your convention ribbons!  Great opportunity to meet your fellow attendees for the weekend.

 

Photo Shoot A

1700 - 1800    Origami for Beginners

Our first session of the weekend for those of you wishing to learn some simple origami skills. See what you can do with just a piece of paper!

1815 - 1900    Cosplay Countdown

Join Abie to discuss your outfits or get last minute advice or late fixes for your cosplay.  Plus it's a great chance to meet fellow cosplayers!

 

Photo Shoot B

1700 - 1900    Drawing Workshop

Ever wanted to learn how to draw your favourite characters from Sherlock, or simply improve your skills?  Try the first of our workshops!

 

221b Set Photo Shoot Open: 1700 - 2000

 

Dealers Room Open: 1700 - 2000

 

Drinks Receptions (location to be confirmed)

1800 - 1900    Drinks Reception A - SOLD OUT

1930 - 2030    Drinks Reception B - SOLD OUT

 

Screening Room

1910 - 2000    Ice Cream Social **

Join Louis Moffat as he hosts the Sherlocked Ice-Cream Social - a place to meet fellow attendees over ice-cream!  Free ice cream available whilst stocks last.

2100 - 2300     Karaoke **

Show off your singing skills with fellow attendees. Take a turn on the mic at the Karaoke!

 

Main Hall

2000 - 0200    Friday Night Party **

The theme is 'Chinese Circus'

 

Saturday Schedule

 

All times listed are in LA local times.

Registration Desk Open - 0800 - 1800

  

Main Hall

0900 - 0945    Opening Ceremony

Hosted by Tony Lee with special guests

1000 - 1045    The Birth of an Episode

Arwel Jones & Sue Vertue talk about the production process. Hosted by Tony Lee.

1100 - 1145    Body Positivity

Join our cosplay host Abie to discuss the importance of body positivity and cosplay.

1215 - 1300    Performance Hub

A chance to see the entries to the Performance Hub competition and see who wins the coveted cash prize!  Hosted by Abie and featuring special guests.

1300 - 1400    Lunch Break

1405 - 1450    The Sign of Three

Arwel Jones, Amanda Abbington and Alistair Petrie discuss all that went into bringing the wedding reception to life.

1505 - 1550    Would You Like A Cup of Tea?

The Kettle is over there... Join Una Stubbs, Wanda Ventham and Timothy Carlton as they discuss their careers and working on Sherlock. Hosted by Tony Lee.

1605 - 1650    Sherlocked Auction

Join the Sherlocked Team as rare items from the TV Show and more go under the hammer!

1705 - 1750    Every Good Fairytale Needs a Villian

Andrew Scott takes to the stage for the last panel of the day.  Hosted by Tony Lee.

 

2000 - 0200    Saturday Night Party**

The theme is 'London Calling'

 

 

Workshop Area

1000 - 1045    Origami for Beginners

Joel Stern will be on hand to teach attendees the art of origami.

1100 - 1145    Meet & Greet - Sue Vertue

Tickets only available via a ballot system - visit the Sales desk on Friday/Saturday morning for more details.

1200 - 1245    Meet & Greet - Andrew Scott

Bids can be made at the Sales Desk for this unique encounter with Moriarty!

1405 - 1450    Chaos Costuming Activity

Who doesn't need a little chaos in their lives?  Fans of cosplay can meet the challenge by attending this workshop. Hosted by Abie and Louis Moffat.

1505 - 1550    Drawing Sherlock

Learn the basics and more when it comes to drawing our favourite consulting detective!

1605 - 1650 - Meet & Greet - Una Stubbs & Louis Moffat

Bids can be made at the Sales Desk for an encounter with the land lady and young Sherlock

1705 - 1750    Production Workshop

Arwel Jones will share some on-set secrets of the prop-master, and how certain looks may be acheived.

 

Photo Shoot A

1000 - 1045    Mark Gatiss - Gold Batches A, B, C, D, E, F & G

1050 - 1135    Amanda Abbington - Gold Batches C, D, E, F, G H & I

1140 - 1225    Una Stubbs - Gold Batches D, B, C, A, E, H & I

1230 - 1300    Wanda Ventham & Timothy Carlton - Gold Batches A, B, C, D, E & F

1405 - 1505    Andrew Scott - Gold Batches A, B, C, D, E, F, G & H

1510 - 1615    Cosplay Photo Shoot

1620 - 1705    Amanda Abbington - Gold Batches J, K, L, A & B

1720 - 1750    Finding the Canon in Sherlock

A fan discussion to look at how much of the canon appears in Sherlock

 

Photo Shoot B

0950 - 1035    Alistair Petrie - Gold Batches C, D, E, F, G, H & I

1040 - 1125    Louis Moffat - Gold Batches A, B, C, D, E, F, G

1130 - 1215    Arwel Jones - Gold Batches A, B, C, D, E & F

1220 - 1250    Steven Moffat & Sue Vertue - Gold Batches - A, B, C, D, E & F

1405 - 1450    Meet & Greet - Steven Moffat

Tickets only available via a ballot system - visit the Sales desk on Friday/Saturday morning for more details.

 

1505 - 1550    Meet & Greet - Alistair Petrie

Place your bids at the Sales Desk for this unique encounter with Alistair.

1605 - 1650    Andrew Scott - Silvers & Standards

1705 - 1750    Cosplay on a Budget

Join Abie to discuss hints and tips to save you money when working on new cosplay outfits!

 

221b Set Photo Shoot

1000 - 1145    Standard Set Photo Shoots

1150 - 1210    Holmes Family on 221b Set Photo shoot

1405 - 1645    Standard Set Photo Shoots

1645 - 1715    Mark Gatiss on Set Photo

1715 - 1800    Standard Set Photo Shoots

 

Dealers Room Open - 1000 - 1750

Screening Room

1000 - 1225    Enjoy your favourite Sherlock episodes

1230 - 1300    Being Major Sholto

Alistair Petrie will view and commentate on his time as Major Sholto as we watch some of his scenes.

1405 - 1435    Mycroft's Movie Night

Mark Gatiss will relive Mycroft's movie night as he views the scenes from the episode and comments on filming the sequence.

1435 - 1600    Enjoy your favourite Sherlock episodes

1605 - 1650    Setlocked

The Baker Street Babes and Arwel Jones discuss being on location and the experiences they have had when production leaves the studio.

 

2045 - 2220    The Great British Sherlocked Quiz **

In the style of a traditional british 'pub' quiz, a time to test your knowledge on different subjects, but mostly Britain and Sherlock.

 

Art Exhibition Area

1735 - 1750    Sherlocked Portrait Winner

The announcement of the winner of Sherlocked USA's Portrait competition.

 

Drinks Receptions (location to be confirmed)

1800 - 1900    Drinks Reception A - SOLD OUT

1930 - 2030    Drinks Reception B - SOLD OUT

 

Sunday Schedule

 

Registration Desk Open - 0900 - 1800

 

Main Hall

 0900 - 0945    Science of Deduction

Exploring common techniques used to make simple deductions and how they apply to Sherlock.  Hosted by Baker Street Babes

1000 - 1045    Get Out of My House You Reptile

Una Stubbs and Mark Gatiss take to the stage to discuss what they really think about Mrs Hudson vs Mycroft. Hosted by Tony Lee.

1100 - 1145    Baker Street Babes Podcast

The Baker Street Babes record their latest podcast, with special guests.

1200 - 1255    Cosplay Masquarade

Join our cosplay host Abie as she presents the Sherlocked USA Cosplay Masquerade with cash prizes for the best costumes!

1300 - 1400    Lunch Break

1405 - 1450    Meet the Makers

Mark Gatiss, Steven Moffat and Sue Vertue discuss all things Sherlock and its continued success.

1505 - 1550    Being a Sherlock Fan

Join the panel to discuss the dedication and commitment needed to be a Sherlock fan.

1600 - 1645    Marvellous Mary Morstan

Amanda Abbington talks about being Mary and joining the cast of Sherlock in season 3.  Hosted by Tony Lee.

1700 - 1800    The Amazing Sherlocked Game Show

Not to be missed! Our guests will be on stage to take part in a very special game show.  Pick your side and enjoy the ride!  Hosted by Tony Lee.

 

Location to be confirmed

2000 - 2300    Sunday Night Party **

The theme is 'Moriarty's Pool Party'

 

Work Shops

0900 - 0945    The Game is On

Learn about board games in development.

1000 - 1045    Meet & Greet - Amanda Abbington

Place your bids at the Registration Desk for this unique encounter with Mary!

1100 - 1200    Origami Workshop

Another chance to perfect your paper folding skills!

1215 - 1255    Drawing Sherlock

Learn the basics and more when it comes to drawing our favourite consulting detective!

1405 - 1450    Meet & Greet - Andrew Scott

Place your bids at the Sales Desk for this unique encounter with Moriarty.

1505 - 1550    Meet & Greet - Mark Gatiss

Place your bids at the Sales Desk for the opportunity for this unique encounter with Mycroft.

1600 - 1645    Meet & Greet - Steven Moffat & Louis Moffat

Tickets only available via a ballot system - visit the Sales desk on Saturday/Sunday for more details.

 

Photo Shoot A

0900 - 0930    Amanda Abbington Aquarium Shoot

0945 - 1035    Andrew Scott - Gold Batches I, J, K, L - Silver & Standards

1045 - 1120    Arwel Jones - Gold Batches J, K, L, G, H & I - Silver & Standards

1125 - 1155    Wanda Ventham & Timothy Carlton 1 - Gold Batches G, H, I, J, K & L

1200 - 1300    Sue Vertue & Steven Moffat - Gold Batches G, H, I, J, K & L - Silver & Standards

1405 - 1435    Cosplay Photo Shoot

1440 - 1500    Wanda Ventham & Timothy Carlton 2 - Silver & Standards

1600 - 1645    Writing Workshop

Get professional tips and advice on perfecting your writing skills.  Hosted by 221 Breakfast Club.

 

 Photo Shoot B

0915 - 1000    Alistair Petrie - Gold Batches J, K, L, A & B - Silver & Standards

1005 - 1050    Louis Moffat - Gold Batches J, K, L, H & I Silver & Standards

1055 - 1140    Una Stubbs - Gold Batches J, K, L, F & G - Silver & Standards

1145 - 1230    Mark Gatiss - Gold Batches J, K, L, H & I - Silver & Standards

1405 - 1450    Chaos Costuming

Join Abie and Alistair Petrie for another challenge.  Are your cosplay skills ready?

1505 - 1550    Production Workshop

Arwel Jones shares more secrets and demonstrates some simple techniques to create some amazing props.

1600 - 1645    Cosplay on a Budget

Our cosplay host Abie shares some more hints and tips for creating amazing cosplay... on a budget.

 

 

221b Set Photo Shoot

0900 - 0930    Production Group Photo Shoot

1045 - 1205    Standard Set Photo Shoots

1215 - 1235    Una Stubbs on 221b Set Photo shoot

1240 - 1300    Cast Group Photo Shoot

1405 - 1550    Standard Set Photo Shoots

1600 - 1645    Andrew Scott on 221b Set Photo Shoot

 

Dealers Room Open - 0900 - 1645

 

 Screening Room

0900 - 0930    Animal Instincts

A closer look at the animals of Sherlock

0930 - 1130    Enjoy your favourite Sherlock episodes

1130 - 1200    Up On the Roof

Andrew Scott relives and comments on those now infamous rooftop scenes between Moriarty and Sherlock just before that fall.

1200 - 1500    Enjoy your favourite Sherlock episodes

1500 - 1530    Mrs Hudson and THAT car chase scene

Una Stubbs and Steven Moffat discuss the most surprising, and thoroughly enjoyable, scene of season 4!

1530 - 1600    Enjoy your favourite Sherlock moments

1600 - 1645    Setlocked

Baker Street Babes and Arwel Jones discuss location filming in public places.

 

**     Evening activity - Only applicable to some ticket types, check the Tickets page for more details.

 Please note that the schedule overrides the days listed on any photo shoot tickets already purchased.  Photo Shoots will be called as VIP/Gold first, then Silvers and then standards.  Your photo will now by called by group and happen on either Saturday or Sunday depending on your assigned group.  You will be notified of your Group Letter in an email prior to the event.

 Groups for Gold Package Holder for autographs and photo shoots will also be made clear on arrival when you collect your pass.   The allocation of group letters is based on when tickets were purchased.

 Autographs are not scheduled, but will happen at times over the weekend when the guest is not busy with a photo shoot, busy with a talk or on a break.

 At this time the separate tracks 'Baker Street' and 'Diogenes Club' are not shown on the schedule as attendee numbers do not require their activation.

 VIP's will be contacted shortly by their VIP Liaison Kelly, who will let them know their additional schedule.

 Schedule is correct at time of published and may be subject to change prior to the event.  Any updates will be amended at the earliest opportunity but please check the schedules at the event to ensure you don't miss out.  This schedule was published as correct on May 15th 2017..

 

Book Review: Of Beast and Beauty by Jay Stacey

 

“Of Beast and Beauty” was the book that I randomly picked from the library after having it recommended to me by BookOutlet based on my browsing and purchases. I knew nothing of this book and had never heard of the author, so I went into it with fairly low expectations. I did pick it up shortly after watching the new movie “Beauty and the Beast”, so I was rather in the mood for this type of retelling.

 

“Of Beast and Beauty” is a young adult fantasy novel, it is a stand alone, and quite overlooked in my opinion. The setting is a cross between sci-fi/dystopian and fantasy world, and found it very peculiar that there allusions to the times when people came to this world in spaceships.

 

The main protagonist, Princess Isra, lives in isolation in a tower, protected and hidden from the world due to her blindness and ugliness. Her city, Yuan, is covered by the dome, which has to be protected and reinforced by certain sacrifice to the magic of the city. Outside Yuan there is only desert, in which outcast and beastly people, the Monstrous, live. A group of monstrous finds their way inside Yuan in the hopes of stealing one of the red roses from the garden as their magic was prophesied to save their people from starvation. Gem, one of the monstrous, is captured and becomes Isra’s prisoner. Unexpectedly, Gem and Isra discover that not all things that they both believed in are true.

 

I suggest that if you want to read this book, stay away from reading the summary either on the flap or GoodReads as it happens to give away quite a bit of book’s events (no idea why). I went into this book completely blind and I think that is why I enjoyed it so much.

 

It is a rather interesting story, a very easy read. Nothing is too overly complicated, however, the world is rather interestingly constructed and it is not as easy to pinpoint who of either characters is supposed to be Belle and who is The Beast. Both Isra and Gem go through character development, which is great. The book is told from three different points of view, which I rather enjoyed as it showed that none of the characters were flawless or black and white.

 

Could I predict the book ending? Well, yes, as it is a retelling after all.

 

Did I know how the things were going to play out? Nope. I found twists and turns quite interesting and there were quite a few things that I didn’t see coming.

 

It was not the perfectly written book. It had flaws, especially in some of the character’s actions. However, I did like the characters, and all of my favourite moments were to do with the roses and garden. I swear, I was completely hooked by the story the moment when the roses turned out to be magical (it is not really a spoiler). Will probably never be able to view them as harmless flowers.

Personal rating: 3.5 stars

Play Review: Rosencrantz and Guildenstern Are Dead - National Theatre Live

 

Raise a hand if you can pronounce the title of this play, “Rosencrantz and Guildenstern Are Dead”, in one go without twisting your tongue - because I can’t! So, I am going to refer to it from now it as ‘RaG’ in my review, because even typing it in full is a hassle.

I heard about this play for the first time at my very first job, where we had the movie with same title available at the library. It was released in 1990 and had two of my (now) favourite actors - Gary Oldman and Tim Roth. I never had a chance to rent this movie and for years ‘RaG’ in my head was labelled as ‘that one movie I never got to watch’. I knew that it was somehow linked to Shakespeare, but only later I learned that it was originally a play by Tom Stoppard and not a movie (the movie had Stoppard as both director and writer). When National Theatre announced this play in honour of the play’s 50th anniversary and casted Joshua McGuire and Daniel Radcliffe (the latter I had been dying to see on stage), I was ready to buy tickets on spot. I believe that the fact that ex Harry Potter was on stage had to do something with the younger than usual audience at the broadcast - which is great as I would love to more younger people go to theatre. I watched this play on April 20, and if I could, I would watch it again.

 

As per usual, I set my mind on reading the play before watching it on stage, but I didn’t have time to finish it. And I am glad it happened this way as I think it is easy to get lost in the absurdist nature of the dialogues and miss the point, while watching it on stage added a different layer of meaning.

 

If you don’t know what this play is about but you feel that it is vaguely familiar, well, you are not alone. Tom Stoppard took two secondary characters, Rosencrantz and Guildenstern, from Shakespeare’s Hamlet and wrote an absurdist, existentialist tragicomedy that portrays those two inseparable friends as confused and unwilling participants in the events of Hamlet. There are bits of dialogues and actual scenes from Hamlet, but they are used to only enhance the absurdity of everything that is happening. R and G are confused by their existence, by the world’s existence, by everything that is happening, including Hamlet’s depression and obsession with his father’s death. They futilely try to find the meaning in everything, but eventually, even when they discover that the letter with death sentence that they carry has their names, they still follow the appointed road to the end.

 

The play is funny, absurd, existential, and thought provoking. It is a meta within a meta, and theatrical bits and scenes serve as the commentary and parody on Hamlet. Both Joshua McGuire and Daniel Radcliffe do an amazing job as two confused fellows, who try and fail to make sense of things. They talk about life and death, and probability. The play has too many layers to take in just in one viewing. That is why I hope I would get a chance to see it on stage again, as I feel in no way qualified to talk about the play indepth.

 

The play was introduced by a short movie, as usual, with both actors talking about the play and stage. The Old Vic’s stage was transformed and sort of elongated to bring it closer to the audience. The play originally premiered in the same theatre 50 years ago, which made it an incredible experience for both the actors and the audience to experience it again on the same stage.

 

Highly recommend to English majors, Shakespeare lovers as well as fans of theatre!

 

Personal rating: 4 stars

 

Sources:

 

Book Review: Magonia by Maria Dahvana Headley (audiobook)

 

Have you ever discovered a hidden gem in a place you never expected to find one? I got this feeling when I started listening to “Magonia” audiobook. This book was on my radar some time ago, about a year or so. I even purchased it on Kindle when it was on sale. I never read it though and quickly forgot about it. Recently, I have been on a huge audiobook buying spree. I am an avid Audible user, but I also get books from the library and I had more than one person repeatedly tell me that I should use OverDrive to get audiobooks. I decided to give the OverDrive app a try (since the interface wasn’t inspiring confidence and I am too addicted to Audible anyway) and “Magonia” was the book that I downloaded as it was readily available.

I am not new to audiobooks. I have been using Audible for over 10 years now (no kidding) and I listened to audiobooks before that too. Needless to say, I can be very picky when it comes to narrators. That is why I was so excited when “Magonia” exceeded my expectations. The audiobook is narrated by Therese Plummer and Michael Crouch, neither of whom I ever listened to before. Therese, obviously, steals the show as her narration dominates the audiobook but they both are really good, and I think if it weren’t for their acting, I would have not enjoyed the audiobook this much.

“Magonia” is a book one in a young adult fantasy duology. It is told mainly from the point of view of its main protagonist, Aza Ray, a teenaged girl with a mysterious disease. Aza is weak and sick, constantly in and out of hospitals, but her spirit is very strong and her awareness of the world around her is astounding. Her best friend is a nerdish and adventurous Jason. He, as well as Aza’s family, her mother, father and younger sister, all are trying to equally support Aza and get ready for her eventual demise. One day Aza starts hearing someone calling her name. Everyone thinks, she is hallucinating, but Jason believes her.

And when one day, it finally happens - Aza dies and opens her eyes on a trading ship, sailing in the sky - Jason is the only one who keeps believing into impossible.

“Magonia” is a lyrical and reflective in tone, so it works perfectly as an audiobook. Therese is especially fabulous as she gives voices to different characters. She chirps and groans and whispers, and it is fascinating to listen to. (I found out that Therese also narrated two other books that I really enjoyed - “This Savage Song” by Victoria Schwab and “Rook” by Sharon Cameron -  and I can’t wait to listen to them as well!)

I found the world and magic system of Magonia original and intriguing. Can’t say that the actual plot line of the book is anything terribly special - the romance triangle, for one, is totally predictable. However, it is a very character driven plot, and it compensates for somewhat predictable plot twists. I loved all the characters, even the bad ones, just because they were so well developed. It is obvious that the author put a lot of effort into fleshing out the characters. I think I loved Jason the most. He is brilliant and nerdy, suffers from anxiety and is obviously somewhere on the autism spectrum, and recites Pi to keep Aza alive. He has two loving mothers, who care about him a lot. Aza's family is delightful too. I am always happy when YA fiction has lots of well written side characters and when the family members of main protagonists aren't there only to serve as a washed-out background prop.

The ending left me wanting to start the second book right away (it is still on hold at the library), although it does not really end with a big cliffhanger, but I can’t wait to see how this all gets resolved. And I definitely, definitely recommend you listen to this audiobook as opposed to reading a book. It is wonderful!

Plot: 3 stars

Performance: 5 stars

Overall: 4 stars

Book/Play review: The Deep Blue Sea by Terence Rattigan (script + National Theatre)

 

If you have been following me for some time, you probably already know that I go to see every and each NT Live broadcast, time permitting. I saw Helen McCrory in both Medea and The Last of the Haussmans and as a huge fan of The Three Musketeers in general I instantly became a fan of Tom Burke’s Athos in BBC The Musketeers. Needless to say, when I found out that both of those actors were going to be on stage at National Theatre, I knew that I would be seeing it for sure. I purchased tickets for both broadcasts (they were a week or so apart, I believe) and set on reading the play beforehand.

Sadly, I failed at my plan to read the play before watching it as it turned out to be a bit difficult to find a new edition in local stores, and by the time I got my copy from BookDepository, I was already otherwise engaged.

 

I read the script months later after watching the play and, to be honest, I don’t regret it, as it allowed me to process my thoughts and form my opinions, and reading the script later only enhanced the experience. National Theatre production follows the script almost to the point, with the exception of few details, so unless mentioned otherwise my review is applicable to both.

 

From NT Live website:

 

Helen McCrory (Medea and The Last of the Haussmans at the National Theatre, Penny Dreadful, Peaky Blinders) returns to the National Theatre in Terence Rattigan’s devastating masterpiece, playing one of the greatest female roles in contemporary drama. Tom Burke (War and Peace, The Musketeers) also features in Carrie Cracknell’s critically acclaimed new production.

A flat in Ladbroke Grove, West London. 1952.

When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with a former RAF pilot and the breakdown of her marriage to a High Court judge begins to emerge.

With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing.

 

I think this play has one of the most dramatic openings I have ever seen. The play opens with the aftermath of Hester’s attempted suicide, but at first we do not know what is happening and why she did what she did, when she is found. The depth of her despair is unraveled throughout the play. Hester is lost and trapped between the encompassing passion towards Freddie and the realization that he may never love her as much as she loves him. Both strong and weak, Hester as portrayed by Helen McCrory is a beautiful disaster to watch. Hester is desperate and her desperation drives Freddie away. He is scared, but also lost, as after the war he knows naught what to do with himself. ‘We will be death to each other’ is his excuse for leaving Hester. But, perhaps, it is what might help her rise up from the ashes at the end.

 

In spite of a rather heavy topic of depression, mental health and deep desire, the play is richly peppered with sarcastic remarks and witticisms, that make the play very addicting. I watched it twice and would watch it again in a heartbeat, as this production was simply amazing. What adds to the plot’s already dark beginning is the fact that Rattigan wanted his play to specifically start with the suicide by the fireplace, as it was the way his former lover had ended his life. It is said that unable to write openly about his relationship, Rattigan wrote it coded in this play.

 

I don’t think I will ever be able to imagine anyone else but Helen McCrory as Hester. She was stunning as Hester, her desperation and addiction to Freddie portrayed with incredible rawness on stage. Hester is convinced that there is nothing for her beyond this, until she is somewhat inspired by the former doctor who is tending to her after the suicide attempt. Every character in this play is fascinating in their own way, from the neighbours to Hester’s ‘not so ex’ husband, Freddie and his friends, but Heter steals all attention. Helen McCrory is wonderful to watch, especially in the end, which is as open as it gets. I thought about it a lot, and I personally like to see it as a beginning not an end for her character.

 

It is a wonderful, albeit dark play, and if you are looking for a bit of heartbreak mixed with a good doze of British sarcasm - I highly recommend you watch or read this play. My copy of this script is as heavily tabbed and bookmarked as my Oscar Wilde plays. Terrence might end up being my other favourite playwright of all time.

 

Play script: 5 stars

Play by National Theatre: 5 stars

 

Sources:

Book review: Nimona by Noelle Stevenson (audiobook)

Remember the time, when this graphic novel was all over BookTube? I do. It was back in 2015, when everyone seems to be talking about. Naturally, I had to read it too and I am still so glad that I did. It was one of my most favourite reads of 2015, and definitely one of the most favourite graphic novels of all times. The art is corky, the humour is terrific, and the world is just pure fun.

If you somehow managed to miss out on the hype, here is the synopsis: it is a story about a snarky and impulsive shapeshifter girl named Nimona. She weasels her way into Lord Blackheart’s service. Lord Blackheart, a local villain, has a certain beef with Institution of Law Enforcement and Heroics and one knight in particular, Sir Ambrosius Goldenloin. Blackheart is convinced that both the Institute and Goldenloin aren’t that goody-goody as they appear. Nimona is willing to help (and cause some serious damage). But there is more than meets the eye to all of them.

I adored Blackheart in the graphic novel. His exasperation with Nimona and deadpan humour are simply the best. I enjoyed the novel a lot, all parts of it. It kept me glued to my couch until I was done with the last page (which made me go ‘awwwwww’, by the way).

Naturally, I had to get my own copy of this comic. And when I accidentally found out that it was made into an audiobook, I just had to have it right now! Moreso, when I learned that Blackheart is voiced by Jonathan Davis - I loved his narration of Catalyst (Star Wars novel) and was even more excited.

Jonathan Davis does an amazing job as Blackheart. I think I liked Blackheart even more (if it is even possible). He doesn’t sound like a villain at all. More like a really exasperated parent, when he is dealing with Nimona. Rebecca Soler really managed to convey both impatience and multifacetedness of Nimona’s character. She sounds like a true villain sidekick! Marc Thompson voices Sir Goldenloin and he is so snotty - he reminds me of posh kids at private schools, who think they are better than everybody else.

To put it shortly, it is a superb cast!

The audiobook also features various sound effects and original music. Understandably, not everything can be translated from a purely visual media to audio, but I think they did a great job. There was one tiny weeny thing that made me sad - and that is the very last frame in the graphic novel that gave me so much hope for those two characters’ relationship (not saying who as it is a spoiler), but it was not conveyed in audio. Implied, but not conveyed. And for me that last frame made all the difference, to be honest. It is a tiny thing, really, but it mattered to me.

Overall, an extremely enjoyable read and a very fun audiobook to listen to. Highly recommend to both graphic novels and audiobook lovers.

Graphic novel: 5 stars

Audiobook: 4.5 stars

Performance: 5 stars

More of my book reviews